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The Synth-Pop Duo's Creative Genius Dave Ball Passes Away, Aged 66

Dave Ball and Marc Almond of Soft Cell
Dave Ball (left) formed Soft Cell alongside Marc Almond in Leeds during 1977

Dave Ball, a key member of the pioneering 1980s synth-pop band Soft Cell, has died at the age of 66.

Alongside vocalist Marc Almond, the pair scored a global success with their version of Gloria Jones' the classic track Tainted Love in the mid-80s, and their first record Non-Stop Erotic Cabaret is considered a seminal work of electronic music.

He later formed the innovative electronic act The Grid, who secured popular acclaim with their 1994 single Swamp Thing.

Ball passed away peacefully in his rest at his home in London on October 22, just weeks after performing a headline show with Soft Cell at the Rewind Festival in Henley-on-Thames.

Recent Health Challenges

At that performance, Ball appeared in a mobility chair, as he had for the previous couple of years, after a period of health issues.

"I managed to damage myself significantly," he stated in a recent interview. "I fractured spinal bones in my back and fractured about multiple ribs and fractured my wrist."

Following contracting pneumonia and suffering from blood poisoning, he was put in an medically-induced sleep and stayed in the hospital for seven months.

Nevertheless, he had been in "a great place emotionally" during the summer, as he was developing a new album with Almond, called the upcoming Danceteria, which is scheduled for publication in the coming year.

"He was concentrated and so happy with the latest project that we literally completed only a short time ago," stated the vocalist in a tribute.
"It's truly heartbreaking as next year was completely planned to be such an uplifting time for him, and I take some solace from the knowledge that he listened to the completed album and believed that it was a great piece of work."
Soft Cell performing in the early 1980s
The band were at the vanguard of the synth-pop movement in the beginning of the decade

Heartfelt Messages

Almond described his bandmate as "an exceptionally talented creative mastermind", stating: "He was the heart and soul of Soft Cell and I'm extremely pleased of our legacy.

"Thank you Dave for being an immense aspect of my existence and for the songs you gave me. I couldn't be where I am without your influence."

Richard Norris from The Grid, shared his condolences, recalling Ball's "constant humor" and "unwavering friendship".

"Forming a duo with someone is distinct from joining a group, the connection is incredibly close," he continued.
"That was the case with us. We went through so many extraordinary, incredible, memorable experiences as a team. Thank you, Dave."
Dave Ball in 2018
Dave Ball, photographed at BBC Radio 2 in recent years

Formative Years

Born into a single-parent household in Chester in the late 50s, Ball was given up for adoption when he was a year and a half of age.

He was raised in Blackpool with his new family Donald and Brenda Ball, who altered his first name from Paul to David, together with his sibling his sister, who was similarly welcomed.

He met Almond at an art college in 1977, where they were both learning fine arts. Fuelled by a shared love of Northern Soul, they formed Soft Cell the same year, and quickly produced an EP.

Creative Collaboration

The pair were an distinctive combination: Ball was the quiet technician, bent over his keyboard, while Almond was a flamboyant performer, all sparkle and eye-liner; but they achieved a rare musical alchemy.

Ball had developed a fascination with synthesizers after watching the band Kraftwerk perform on a television program Tomorrow's World, and began to combine moody electronic sounds to the soaring melodies Almond was writing.

Tainted Love became the United Kingdom's second most popular song of 1981, shifting 21 million copies globally. Alongside successful tracks by Gary Numan, Human League and Ultravox, it contributed to cleared the path for the synth-pop sound of the 80s.

The song was also featured on their first album, their initial LP, which spawned two further high-charting hits: Bedsitter and Say Hello, Wave Goodbye.

They continued the record up with the stand-alone single, Torch, which peaked at the second position in 1982.

Soft Cell in the studio
The duo were developing fresh songs right up until Ball's passing

Professional Journey

Success had its upsides. "I enjoyed being able to afford my first home, having money and travelling, which might seem like a beauty queen," Ball not long ago told with a music magazine.

But it also caused problems. "Newfound wealth allowed we could afford newfound drugs to alleviate the monotony" of press appearances and TV performances, Ball said.

"I realize that's a cliché, but it's a truism for a good reason, because it applies for so many bands."

During the party-filled existence, the duo were also drifting apart, but they managed to produce a follow-up memorable record - the unconventional, tense and aptly-titled The Art Of Falling Apart.

They put out one more LP, their 1984 release This Last Night In Sodom, before dissolving the group to concentrate on individual endeavors.

Almond proceeded to have a successful individual path, featuring the top 10 hit Something's Got A Hold Of My Heart; while Ball created The Grid, who combined acid house with ambient pop over a enduring partnership.

Later Work and Comebacks

Soft Cell came back together in 2001, producing the Top 40 record Cruelty Without Beauty.

Following another break, they returned in 2018, issuing the new tracks Northern Lights and Guilty (Cos I Say You Are) before performing what was intended to be a final performance at the large venue on September 30, 2018.

Yet, they stayed active, creating their latest project, Happiness Not Included, during the pandemic restrictions.

Ball recently characterized the duo's upcoming release as a tribute to the New York club scene they visited while recording their first two albums.

He noted that his time in hospital had influenced the band's sound.

"I experienced strange recollections when I was coming and going of the hospital because I was on morphine," he told a music magazine.
"The new songs are a digital reflection of the noises in my mind from that time.
"In parallel, it's about the times me and Marc had in the 1980s."

The last versions were finished only days before Ball died. It is due for release in the spring of 2026.

About the author

Dana Williams

Elena Voss is a tech enthusiast and writer with a passion for exploring digital trends and sharing practical advice.

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